Richard
Brown
After Dark
catalog-no. tx 2052
rock - 2000
After Dark
Richard Brown is a songwriter, singer and guitar-player from
Nashville, Tennessee. Could there be a more ordinary statement? Maybe not -
but be sure not believe in the stupid analogy that says 'behind every ordinary
name there must be an ordinary talent' before checking out Richard Brown for
yourself. Why? Because this guy is one of the most talented artists from the
ever-busy Nashville roots music scene. AFTER DARK is his solo debut, a great
roots and songwriter album by one of the most convincing successors to the works
of Steve Earle and Tom Petty.
AFTER DARK was recorded and produced by a small but select crew of musicians
from Nashville. Again masterminded by the almost insanely busy and multi-talented
producer/player Fred James (guitars, drums, bass, keyboards), Richard Brown
(vocals, guitars) is joined by two originals from the ranks of the Amazing Rhythm
Aces: Jeff Davis (bass) and Billy Earheart (keyboards). We can also report a
cameo appearance on background vocals by two former members of the Kentucky
Headhunters, namely Doug & Ricky Phelps. This has a special background, in fact
which gives us a good enough reason to take a quick look backwards to past activities
of the man friends like to call "Dickie."
Born and raised in Bowling Green, Kentucky, Richard Brown has been present on
the Nashville roots scene for more than ten years. There were only a few good
jobs for him at the beginning but things improved at a slow and steady pace.
Personal contacts started to develop and Richard got to know the very popular
Kentucky Headhunters who persuaded him to not just open their shows, but also
sing with them occasionally. A welcome chance to present his material for a
larger audience. At this point the Phelps brothers were about to leave the band
and, as they were very taken with some of Richard's songs, they asked for permission
to cover his tune "Let Go". Shortly thereafter Richard Brown's credits
included a # 1 smash hit on the country charts. His original version of the
song is included on AFTER DARK for sure. And so Richard was blessed with the
most desirable twist of fate for every songwriter – a stable ground to work
from. But there was positive feedback coming from other directions as well.
As a player and engineer, Richard Brown worked for names like Donnie Fritts,
Bleu Jackson, Mary-Ann Brandon, Mac Gayden, The International Submarine Band,
Freddie Weller or Buzz Cason, to name just a few.
And now there's the flawless AFTER DARK. An unpretentious, energetic and well-rounded
roots/singer-songwriter album by a great talent. But on first listen it's a
specific Westcoast influence that can not be overheard – The Byrds. The name
just cannot be avoided. The opening "Trippin' Back" delivers the classic
12-string Rickenbacker jangle so convincingly, with Richard Brown's singing
voice echoing the rugged introversion of Roger McGuinn, that it's easy to be
transported back to the band's heyday. It's a classic folk-rock touch that can
be experienced on other cuts of AFTER DARK as well and that is not all. There
are also Dylan-like acoustic tracks and southern boogie'n'slide parts in the
album's palette of sounds. Richard Brown's lyrics alternate between a narrative
focus on storytelling and a more direct "rock" style. His subject
matter includes elaborate autobiography as well as more concise lyrical structures.
Underlying is a spirituality based on Christian beliefs – but without the leaden
sense of mission so dominating in other writer's work. AFTER DARK is a folk-rocking
roots record with a Southern taste where the personal meets the universal and
the spiritual meets the profane. There's a place for everything in the songs
of Richard Brown. And so it goes – another fine chance to meet a great and rootsy
songwriter from the Nashville scene:"Better catch him while you can – he's
a mover.... The Troubadour."
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